This is the beginning of what I consider the best seven-episode run in the entire show. While they've had a couple of really solid episode groups before (S1's "Band of Brothers" and a few episodes after it, S3's "Song of the Executioner" and a few episodes after it), this is the longest and most consistent run of quality they ever had. Everything from "Comes a Horseman" to "The Modern Prometheus" are A+ episodes, and knocking out those seven episodes is a big goal of mine for the near future. Then after that I've just got the final 14 episodes and one movie and then I can pretty much put the site in an antique store (have a couple other series' to finish first, too).
"Forgive Us Our Trespasses", if placed last in those seven, could even be a good place to end the series outright and have it be an introspective ending. "Duende" would also be a great finale, if you want to go out with a big battle (but it's a pretty average episode, carried entirely by the final battle). Considering that S5 is so abbreviated and ends four episodes sooner than previous seasons, they sure upped the quality level to compensate. In my view, anyway. I'm sure more than a few people would disagree with my assessment of "The Ransom of Richard Redstone" being included in this "incredible seven-episode run" but just work with me here. A Richie comedy episode is some needed levity at this point.
Aired on February 3rd 1997, this coincided with the beginning of the Sting vs NWO storyline in rasslin', and AOL chat rooms were going nuts around that time talking about both. Would Methos turn on the Four Horsemen? Who would join Ric Flair's Four Horsemen to fight the NWO?
Kronos is the biggest bad guy in this entire show; while Kalas has a longer duration of being a threat (a five-episode arc rather than two - though Kronos does pop up again several times later... sort of), Kronos is the bigger threat by a lot, and feels more like he belongs in a Highlander movie. Both of them have the distinction of having prior wins over Duncan, as well.
This season's theme of running from your past and the unavoidable consequences of not facing it...really comes to a head here.

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